orange
Showing all 11 resultsSorted by latest
“Making Space”
original artwork / acrylic on panel box, natural edges / 24"w x 24"h x 1.5"d / 2025
please allow two weeks for shipping (via FedEx Ground) from Utah studio
“Against the Dying of the Light”
original artwork / acrylic on panel box, natural edges / 44"w x 32"h x 1.5"d / 2021
purchase online and pick up in Seattle gallery. Please contact with questions.
Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.
This painting has a lot of value contrast, and I chose the title, “Against the Dying of the Light”, to reference that contrast. The reason that we're able to see/appreciate the light areas is because of the dark that they're next to. Even though dark sometimes has a bad/gloomy connotation, without it, everything would feel the same. I think this applies to art compositions AND experiences in our lives.
“Bound by Causality”
original artwork / acrylic on panel box, natural edges / 60"w x 30"h x 1.5"d / 2024
please allow two weeks for shipping (via FedEx Ground) from Utah studio
“Aggregates of History”
original artwork / acrylic on panel box, natural edges / 24"w x 30"h x 1.5"d / 2023
please allow two weeks for shipping (via FedEx Ground) from Utah studio
“Out There”
original artwork / acrylic and spray paint on panel box, natural edges / 24"w x 30"h x 1.5"d / 2023
purchase online and pick up in Seattle gallery. Please contact with questions.
Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.
Sometimes my paintings include both interior and exterior views of architecture, but this painting definitely leans toward the exterior views. As suggested in the title, the building forms are depicted from a distance, "Out There". I think this implies some time has elapsed since the experiences within those spaces and they can be viewed/understood more objectively than before.
“The Lay of the Land”
original artwork / acrylic and charcoal on panel / 48"w x 32"h x 1.5"d / 2024
purchase online and pick up in Seattle gallery. Please contact with questions.
Most of my paintings (including this one) are based on the idea that who we are as individuals is a collection of all these different experiences that we’ve had in different places. I combine fragments from those places to suggest this layered process of “becoming”. The imagery in this painting comes from several abstracted views (interior and exterior) of places I've lived, worked, or gone to school. The title "The Lay of the Land" suggests this is the current state of things, but the layering present within the piece implies that even as we’re living our lives now, there’s this whole, underlying past- running below it all- that continues to influence us.
“All the Maps Could Never Decide”
original artwork / acrylic on panel box / 12"w x 12"h x 2"d / 2020
please allow two weeks for shipping (via FedEx Ground) from Utah studio
“Negotiating Past Fragments”
original artwork / acrylic on panel box, natural edges / 36"w x 36"h x 1.5"d / 2020
purchase online and pick up in Seattle gallery. Please contact with questions.
Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.
This painting is one of my personal favorites, largely because it marks a stylistic shift for me. Previously, my work had lots of layers (of course), but things felt more flat and merged together. With this one, I experimented with how to have each layer remain distinct; it resulted in a deeper (but confusing!) sense of space. Exactly what I wanted--this feeling that you could somehow move/navigate your way through the different parts of the painting. The title, "Negotiating Past Fragments", references this idea of navigating our past experiences.
“On a Different Level”
original artwork / mixed media on panel box, natural edges / 48"w x 32"h x 1.5"d / 2022
purchase online and pick up in Seattle gallery. Please contact with questions.
Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.
Doorways, windows, and stairs--all from different places in my life- fill this painting. Many of them are viewed from different angles or eye levels, which is where the title "On a Different Level" originates. I wanted to use different perspectives to have each layer remain distinct from other layers and to make the space more complex to navigate. The colors are very bold in this one--perfect for someone who's not afraid of color or needs to inject some energy into a room.
“Thresholds”
original artwork / acrylic on panel box, natural edges / 12"w x 12"h x 1.5"d / 2023
purchase online and pick up in Seattle gallery. Please contact with questions.
Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.
“Abundance of Perspective”
original artwork / acrylic on panel box, natural edges / 60"w x 30"h x 1.5"d / 2022
purchase online and pick up in Seattle gallery. Please contact with questions.
Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.
The title, "Abundance of Perspective", references, in a literal way, all the abstracted windows in the painting. The title also points to the depth of insight that can emerge when we reflect on the varied experiences in our lives. The bold colors and shapes in this piece will enliven any home or office space, and, at sixty inches wide, it's well-sized for over a couch or in another horizontal space.